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Comparative Arts

Comparative Arts delve into a meticulous examination of interconnections, resemblances, and distinctions among chosen artworks. They intricately explore the dynamic interplay among Literature, Visual Arts, Music, Theater, Cinema, and Digital Arts within a specific historical epoch and its artistic output. By juxtaposing diverse forms of creative expression, this discipline scrutinizes the compositional essence of each individual piece while establishing direct correlations with other art forms, notably Music.

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The methodology employed in Comparative Arts can traverse various routes. Commencing with a shared theme, such as the classical period in Europe, the analysis extends to encompass works originating from distinct geographical locations or historical contexts. This comparative approach, anchored in a common thread, entails an examination of diverse compositional styles across different fields and identifies shared elements among them. For instance, in the interplay between Literature and Music, aspects like rhythm, pitch, repetition, variation, and the musical interpretation of symbols are scrutinized. Similarly, in Visual Arts, parallels are drawn between the use of color in painting and the dynamic elements present in music composition.

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Academic Year 2024 - 2025

Conferences, Seminars and Webinars

Explore the Harmony between Music and Visual Arts (Architecture, Painting, Photography, and Sculpture)

This seminar is dedicated to unraveling the intricate relationship between Music and Visual Arts, spanning across various mediums such as Architecture, Painting, Photography, and Sculpture.

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Fernando Fracassi´s dissertation delves into the profound connection between Music and Visual Arts, whether as a reflection of reality or an exploration of the Imaginary.

Here's what you can expect:

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  • Unveiling Common Grounds: examines the shared elements and synergies among different branches of Visual Arts.

  • Interdisciplinary Dynamics: considers the  fascinating interplay between Music, Architecture, Painting, Photography, and Sculpture, exploring how each art form influences and complements the others.

  • Technical Insights: explains the technical tools employed by these arts, from the masterful use of color to the intricate manipulation of form and structure.

  • Mutual Influence: explores how Music influences Visual Arts and vice versa, discovering the cross-pollination of ideas and inspiration between these creative realms.

 

Immersive Experience: Fernando Fracassi´s seminar offers live musical performances and captivating sessions featuring pre-recorded tracks, enhancing your understanding and appreciation of these interdisciplinary connections.

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Are you interested to host this seminar at your institution?

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Investigate the Intersections of Music, Literature (Essays, Novels, Poetry) and Philosophy

Fernando Fracassi´s seminar offers a comprehensive journey into the fascinating connections between Music, Literature and Philosophy, providing insights across four main sections:

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  • Preliminary Insights: considers the foundational questions and the most common elements shared by Music, Literature and Philosophy

  • Vocal and Instrumental Dynamics: explores the intricate relationship between Music, Literature and Philosophy through compositional, vocal and instrumental expressions

  • Structural Principles and Influence: uncovers the structural principles inherent in both arts and explore how Literature influences Music, with discussions on writers' attempts to mirror musical compositions

  • Reciprocal Influence: investigates the reciprocal relationship between Literature, Philosophy and Music, particularly focusing on the impact of literary narratives on Programmatic Music.
     

Fernando Fracassi´s seminar includes captivating live musical performances and engaging sessions featuring pre-recorded music, enriching your understanding of these dynamic intersections. The recommended reference book for this seminar is Six Memos for the Next Millennium: The Charles Eliot Norton Lectures, 1985-1986 by Italo Calvino.

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Would you like to organize this seminar at your school or university? 

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